Wednesday, November 11, 2015

Saint Martin of Tours -- European


St. Martin of Tours As Bishop
from Sacramentay of Mont-Saint-Michel
French (Mont-Saint-Michel), c. 1050-1065
New York, The Pierpont Morgan Library
MS M 641, fol. 173r
Martin of Tours is one of the great saints of Europe.  Traditionally, one of the patron saints of France, he actually spent large parts of his life elsewhere as well.  In fact, he got around quite a bit.  Born in the Roman province of Pannonia, today’s Hungary, shortly after the conversion of Constantine to Christianity, he grew up in northern Italy, where he was converted to Christianity at a young age.  He served in the Roman cavalry in Gaul and Germany.  Finally rejecting his participation in the army he became a disciple of St. Hilary of Poitiers, whom he followed to Italy and then back to Gaul.  Martin eventually settled in what was still the Roman province of Gaul, at Tours, where he was acclaimed as bishop in 371.  

He was instrumental in spreading the Gospel beyond the Roman cities of Gaul and in combating the Arian heresy, which professed Jesus as a demi-God, but not as fully human and fully divine (the orthodox Christian view).  He also founded monasteries at Ligugé and Marmoutier.  He died in 397 shortly before the invasion of the Germanic tribes that ended Gallo-Roman life in what would become known as France.1

In addition to the historical facts of his life, a number of legends about St. Martin grew up in the decades and centuries after his death.

St. Martin and the Beggar

The most famous is undoubtedly the story of his meeting with a poorly clad beggar, while still a Roman cavalry man and a catechumen (not yet a baptized Christian).  In charity he drew his sword, cut his cloak in half and gave half to the beggar, thus fulfilling one of the corporal works of mercy cited by Jesus at the Last Judgment “I was …. naked and you clothed me” (Matthew 25:36).  Later, in a dream, he realized that the beggar had indeed been Christ.  In some versions of the story, Christ himself returns the half cloak to Martin.
Master of the Roman de Fauvel, Saint Martin and the Beggar
From Vies de saints
French (Paris), c. 1300-1325
Paris, Bibliotheque naitonale de France
MS Francais 183, fol. 165v


Jeanne de Montbaston, Saint Martin and the Beggar
From Vies de saints
French (Paris), c. 1325-1350
Paris, Bibliotheque nationale de France
MS Francais 185, fol. 164v

Mahiet and Workshop, Saint Martin and the Beggar
From Speculum historiale by Vincent of Beauvais
French (Paris), c. 1335
Paris, Bibliotheque nationale de France
MS Arsenal 5080, fol. 326r



Richard de Montbaston, Saint Martin and the Beggar
From Legenda aurea by Jacobus de Voragine
French (Paris), 1348
Paris, Bibliotheque nationale de France
MS Francais 241, fol. 300v


This image is the one that is most often depicted in works of art, especially during the middle ages and especially in the periods in which chivalry was the dominant secular ideal, for this image encapsulates much that was integral to that ideal. 

Jacques de Besancon, Saint Martin and the Beggar
From Legenda aurea by Jacobus de Voragine
French (Paris), c. 1480-1490
Paris, Bibliotheque nationale de France
MS Francais 245, fol. 169r


Master of Claude de France, Saint Martin and the Beggar
from Book of Hours
French (Tours), c, 1515-1520
New York, The Pierpont Morgan Library
MS M 1166, fol. 38r


It appears in manuscripts, especially in the Books of Hours that were the chief religious book used by the laity.  But it also appears in sculpture, in stained glass and in needlework, as well as in full-scale painting. 


Saint Martin of Tours
French (Autun), 15th Century
Autun, Musée Rolin



Saint Martin and the Beggar
German (Mid-Rhineland), c. 1490-1500
New York, Metropolitan Museum of Art, The Cloisters Collection



Chasuble with Orphreys, Saint Martin of Tours appears in the central medallion
Italy, c. 1500-1525
New York, Metropolitan Museum of Art, Robert Lehman Collection



El Greco, Saint Martin of Tours and the Beggar
Greco-Spanish, c. 1597-1599
Washington, DC, National Gallery of Art



Jan Brueghel the Elder, Saint Martin of Tours
Flemish, c. 1600
Nelahozeves Castle (Czech Republic), Lobkowicz Collections
(Here Saint Martin is confronted not with one beggar but with a crowd of the needy.)


Anthony van Dyck, Saint Martin of Tours and the Beggar
Flemish, c. 1618
Zavantem, Saint Martin Church



Jacob van Oost the Elder, Saint Martin of Tours and the Beggar
Flemish, c. 1650
Bruges, Groeninge Museum


Francois Nicholas Delaistre, Saint Martin on Horseback with the Beggar
French, Late 18th Century
Besancon, Musée des Beaux-Arts et d'Archeologie


St. Martin As Bishop

Also prevalent, though more often found in books specifically for the use of the clergy, was the image of St. Martin as a bishop. 


Saint Martin and Archbishop Christian
From the Pontificale of Mainz
German (Mainz), c. 1249-1251
Paris, Bibliotheque nationale de France
MS Latin 949, fol. Av



SaintThomas Becket and Saint Martin of Tours
from a Psalter
German, c.1208-1228
New York, The Pierpont Morgan Library
MS G8, fol. 54v

Here he is often paired with other bishop saints, such as Saint Thomas of Canterbury or Saint Nicholas of Myra.

Saint Martin of Tours and Saint Nicholas of Myra
from Huntingfield Psalter
English (Oxford), c. 1212-1220
New York, The Pierpont Morgan Library
MS M 43, fol. 26r
(Saint Martin is here shown dividing his cloak while wearing a bishop's miter, conflating his early and late careers)


Jeanne de Montbaston, Saint Brice with Saint Martin
From Vies de saints
French (Paris), c. 1325-1350
Paris, Bibliotheque nationale de France
MS Francais 185, fol. 173r




St. Martin of Tours
Austrian (Carinthia), c. 1340-1350
New York, The Metropolitan Museum of Art, Cloisters Collection

Saint Martin of Tours
From Legenda aurea by Jacobus de Voragine
French (Paris), c. 1400
Paris, Bibliotheque nationale de France
MS Francais 242, fol. 252v

Follower of Jean Poyer, Saint Martin of Tours
From a Book of Hours
French (Tours), c. 1490-1500
New York, Pierpont Morgan Library
MS M 388, fol. 154v



St. Martin of Tours
German, Late 15th Century
New York, The Metropolitan Museum of Art



Cycles of the Life of St. Martin

There are also several surviving cycles of pictures showing the life of St. Martin.  They appear in manuscript form in books such as Vincent of Beauvais’ Speculum historiale.


St. Martin and the Beggar and Baptism of St. Martin
from a Speculum historiale by Vincent of Beavais
French (Paris), 1453
Paris, Bibliotheque nationale de France
MS Francais 51, fol. 250r





St. Martin Converts a Brigand, Saves a House from Fire and Is Chased from Milan by Arian Clergy
from a Speculum historiale by Vincent of Beauvais
French (Paris), 1453
Paris, Bibliotheque nationale de France
MS Francais 51, fol. 254r



St. Martin Attacked by Soldiers and St. Martin Bringing a Child Back to Life
from a Speculum historiale by Vincent of Beauvais
French (Paris), 1453
Paris, Bibliotheque nationale de France
MS Francais 51, fol. 297r




St. Martin Visited by the Virgin Mary and Saints and St. Martin Tormented by Demons
from a Speculum historiale by Vincent of Beauvais
French (Paris), 1453
Paris, Bibliotheque nationale de France
MS Francais 51, fol. 299t




Translation of the Relics of St. Martin
from a Speculum historiale by Vincent of Beauvais
French (Paris), 1453
Paris, Bibliotheque nationale de France
MS Francais 51, fol. 393v




During the summer of 2015 the Metropolitan Museum of art reunited several related Franco-Flemish embroideries of St. Martin’s life, probably meant for the decoration of liturgical furnishings, which have found their way into various parts of the Museum’s collection.  The small, highly detailed embroideries were artistic marvels in their own right.3


St. Martin Announcing His Conversion to His Parents
Scenes from the Life of St. Martin
Franco-Flemish, c. 1430-1435
New York, The Metropolitan Museum of Art, Robert Lehman Collection



St. Martin and the Brigands
Scenes from the Life of St. Martin
Franco-Flemish, c. 1430-1435
New York, The Metropolitan Museum of Art, Cloisters Collection



St. Martin with St. Hilary of Poitiers
Scenes from the Life of St. Martin
Franco-Flemish, c. 1430-1435
New York, The Metropolitan Museum of Art, Robert Lehman Collection



St. Martin Offers the Wine Cup to a Priest, Bypassing the Emperor and the Empress
Scenes from the Life of St. Martin
Franco-Flemish, c. 1430-1435
New York, The Metropolitan Museum of Art, Robert Lehman Collection



The Empress Kneels Before St. Martin
Scenes from the Life of St. Martin
Franco-Flemish, c. 1430-1435
New York, The Metropolitan Museum of Art, Cloisters Collection



St. Martin and the Repentent Horsemam
Scenes from the Life of St. Martin
Franco-Flemish, c. 1430-1435
New York, The Metropolitan Museum of Art, Anonymous Loan



St. Martin Brings a Dead Man Back to Life
Scenes from the Life of St. Martin
Franco-Flemish, 1430-1435
New York, The Metropolitan Museum of Art, Robert Lehman Collection



However, what is probably the greatest of the cycles of the life of St. Martin is the series of frescoes executed by the Siennese painter, Simone Martini, between 1320 and 1325 in the Chapel of St. Martin in the lower church of St. Francis at Assisi.
  

Simone Martini, Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Simone Martini, Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



These show detailed images of the most important scenes from the saint’s life, from his early conversion to his death.  Throughout the early scenes St. Martin is imagined as a contemporary early 14th century knight, his Roman world equated with the chivalrous ideal. 



Simone Martini, St. Martin is Knighted
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Simone Martini, St. Martin Divides His Cloak for the Beggar
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Simone Martini, Dream of St. Martin
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin

(In his dream Martin saw Jesus explain to the angels that he was the beggar to whom Martin had given half his cloak.)



Simone Martini, St. Martin Renounces His Weapons
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Simone Martini, St. Martin Restores Life to a Dad Child
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Simone Martini, St. Martin Miraculously Escapes a Fire
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Simone Martini, St. Martin Meditating
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Simone Martini, Miraculous Mass of St. Martin
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin
(So great was his devotion that when he raised the host at Mass a ball of light appeared above his head.)



Simone Martini, Death of St. Martin
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Simone Martini, Burial of St. Martin
Scenes from the Life of St. Martin
Italian, c. 1320-1325
Assisi, San Francesco, Lower Church, Chapel of St. Martin



Other Images

Alongside these three major image streams, other aspects of the saint’s life have also been depicted from time to time.  These include various miracles wrought by the saint either during his life or afterwards. 


Francisco Osana, Death of St. Martin
Spanish, c. 1500-1514
Castres, Musée Goya



Master of Claude de France, Vison of St. Martin
from Book of Hours
French (Tours), c. 1515-1520
New York, The Pierpont Morgan Library
MS M 1166, fol. 38v



Giovanni Lanfranco, Miraculous Mass of St. Martin
Italian, c. 1640
New York, The Metropolitan Museum of Art



Eustache Le Sueur, Miraculous Mass of St. Martin
French, 1654
Paris, Musée du Louvre



Eustache Le Sueur, Apparition of the Virgin with Saints Agnes, Techla, Paul and Peter to St. Martin
French, 1654
Paris, Musée du Louvre


In 1654 Le Sueur painted this pair of images of St. Martin for the Abbey of Marmoutier, founded by St. Martin.



Sebastien Bourdon, St. Martin Raising a Dead Child
French, c. 1655-1660
Dijon, Musée national Magnin



Wolfgang Andreas Heindl, St. Martin Receiving Back His Cloak from Christ
German, c. 1719-1720
Neideralteich, Monastery of St. Mauritius


The feast day of St. Martin of Tours is November 11.  This was once one of the most important saint’s days of Europe, celebrated widely throughout the continent.  This has not entirely departed.  On my first trip to Italy in 1988 I arrived in mid-November to beautiful weather, which a resident friend informed me is known as St. Martin’s weather.

St. Martin of Tours, pray for your continent of Europe which is currently undergoing a time of testing.  Pray especially for your home in France and pray for all of us.

© M. Duffy, 2015

___________________________________________________________
1.  Clugnet, Léon. "St. Martin of Tours." The Catholic Encyclopedia. Vol. 9. New York: Robert Appleton Company,1910. 10 Nov. 2015 <http://www.newadvent.org/cathen/09732b.htm>.
2.  The Golden Legend or Lives of the Saints, Volume 6, page 66. Compiled by Jacobus de Voragine, Archbishop of Genoa, 1275. First Edition Published 1470. Englished by William Caxton, First Edition 1483, Edited by F.S. Ellis, Temple Classics, 1900 (Reprinted 1922, 1931.), at http://legacy.fordham.edu/Halsall/basis/goldenlegend/GoldenLegend-Volume6.asp#Martin
3.  See Scenes From the Life of Saint Martin at http://www.metmuseum.org/exhibitions/listings/2015/life-of-saint-martin














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