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Sunday, August 14, 2022

Vigil of the Feast of the Assumption -- The Death, Mourning and Funeral of the Blessed Virgin Mary


Gherardo Starnina, Death of the Virgin
Italian, c. 1401-1410
Chicago, Art Institute

This was once part of a longer essay on the Dormition of the Virgin that I initially published in 2011 and revised in 2019.  This year I began to revise that article, adding a great deal of new material and replacing images that have been upgraded over the years at their sources.  As I worked, I realized that the essay had become overly long and somewhat unwieldy to work with and probably excruciating for the reader/viewer.  So, I decided to break it up into two parts.  

The first part, which still bears the date of the most recent update (August 2019) is now called Vigil of the Feast of the Assumption -- Mary Prepares for Death.  It can be found here https://imaginemdei.blogspot.com/2011/08/vigil-of-feast-of-assumption-dormition.html   I strongly urge you to read it before you read this second part.   It is especially important to do that if you aren't sure about what the Assumption is and how it fits into the life of Christians, whether Catholic, Orthodox or Protestant.  Some of the important footnotes can also be found at the bottom of this article.  

The Death of the Virgin

The earliest images of Mary’s actual death that we have are Byzantine ivories and icons. They show the apostles gathered around Mary’s bed as she dies. But she is not alone with them. Unseen by the apostles, Jesus stands by the bed, receiving or already holding her small soul, sometimes shown as if it were a baby in swaddling bands, sometimes as a miniature adult. Sometimes, in later images, angels collect her soul and begin bringing it to her waiting Son.  The idea behind this image is twofold.  The first is that the soul we all receive at our conception is the one we were born with, as infants.  The second is that Mary, who was conceived without the inborn capacity to sin that is the human condition, never defiled what she had received and was, therefore, in the same state at her death as she was at her conception.  (See my post on the Immaculate Conception)


This image, of the apostles gathered at the death bed while Mary's soul departs, has the longest history of the episodes leading up to the Assumption proper. It appears 

In Byzantine icons

Dormition of the Virgin_
Byzantine, 13th Century
Sinai, Saint Catherine's Monastery


Dormition of the Mother of God
Russian, c. 1300
Recklinghausen, Ikonen-Museum


Dormition of the Mother of God
Cretan, c. 1590-1600
Vatican City State, Vatican Museums


In Byzantine ivories   

Dormition of the Virgin
Byzantine, Second Half of 10th Century
Vienna, Kunsthistorisches Museum, Kunstkammer



Dormition of the Virgin
Imported Central plaque of the cover of the Gospels of Otto III
Byzantine, c. 1000
Munich, Staatsbibliothek
MS Clm 4453

In mosaics

Dormition of the Virgin
Vault Detail
Italian, c. 1150-1160
Palermo, Santa Maria dell'Ammiraglio


Pietro Cavallini, Dormition of the Virgin
Italian, 1291
Rome, Church of Santa Maria in Trastevere


Jacopo Torriti, Dormition of the Virgin
Italian, 1296
Rome, Church of Santa Maria Maggiore



In Byzantine Manuscript Illumination

Dormition of the Virgin
From The Hamilton Lectionary
Byzantine, c. 1080-1000
New York, Pierpont Morgan Library
MS M 639, fol. 366r



Dormition of the Virgin
From a Book of Gospels
Byzantine, c. 1175-1250
London, British Library
MS Harley 1810, fol. 174v

In Western Manuscripts

In Western manuscript painting from the Ottonian era in the 10th and 11th centuries to the decline in the manuscript that came with the triumph of printing in the 16th,

Death of the Virgin
From Gradual of Prüm Abbey
German (Prüm), c. 986-1001
Paris, Bibliotheque nationale de France
MS Latin 9448, fol. 60v


Death of the Virgin
From the Treves Sacramentary
German (Reichenau), c. 1020-1040
Paris, Bibliotheque nationale de France
MS Latin 18005, fol. 118v


Death of the Virgin
From the Scheyerer Matutinalbuch (I)
German, c. 1215-1230
Munich, Bayerische Staatsbibliothek
MS Clm 1740, fol. 51




Death of the Virgin
From Vie de Saint Denis
French (Paris), c. 1250
Paris, Bibliotheque nationale de France
MS Nouvelle acquisition francaise 1098, fol. 33v


Death of the Virgin
From a Prayer Book
Flemish (Brussels), c. 1275-1300
London, British Library
MS Harley 2449, fol. 230v


     
Death of the Virgin
From Assomption Notre Dame
French (Paris), c. 1275-1300
Paris, Bibliotheque nationale de France
MS Francais 1038, fol. 164v


Master Henri, Death of the Virgin
From Vies de Saints
Flemish (Hainaut), 1285
Paris, Bibliotheque nationale de France
MS Francais 412, fol. 172v


Death of the Virgin
From Vita et passio beati dionysii by Ivo de Sancto Dionysio
French (Paris), 1317
Paris, Bibliotheque nationale de France
MS Francais 2091, fol. 1r



Master of the Roman de Fauvel, Death of the Virgin
From Speculum historiale by Vincent of Beauvais
French (Paris), c. 1333-1334
Paris, Bibliotheque nationale de France
MS Francais 316, fol. 672v



Richard de Montbaston, Death of the Virgin
From Legenda aurea by Jacobus de Voragine
French (Paris), 1348
Paris, Bibliotheque nationale de France
MS Francais 241, fol. 204r


Death of the Virgin
From The Taymouth Hours
English (London), c. 1350-1400
London, British Library
MS Yates Thompson 13, fol. 133


Death of the Virgin
From Weltchronik
German (Regensburg), c. 1355-1365
New York, Pierpont Morgan Library
MS M 769, fol. 299v


Master of the Livre du Sacre and Workshop, Death of the Virgin
From Speculum historiale by Vincent of Beauvais
French (Paris), c. 1370-1380
Paris, Bibliotheque nationale de France
MS Nouvelle acquisiton francaise 15940, fol. .67ra


Death of the Virgin
From the Historien Bibel
German (Swabia), c. 1375-1400
New York, Pierpont Morgan Library
MS M 268. fol. 233v

Death of the Virgin
From Book of Hours known as Hours of Isabeau of Bavaria
French (Metz), c. 1380
Paris, Bibliotheque nationale de France
MS Latin 1403, fol. 99r

Master Jacquemart and Workshop, Death of the Virgin
From Petites Hours of Jean de Berry
French (Bourges), c. 1385-1390
Paris, Bibliotheque nationale de France
MS Latin 18014, fol. 144r


Brother Philipp, Death of the Virgin
from Weltchronik
German (Regensburg), c.1400-1410
Los Angeles, J. Paul Getty Museum
MS 33, fol. 306


Jean Colombe and Workshop, Death of the Virgin
From Hours of Anne of France
French (Bourges), 1473
New York, Pierpont Morgan Library
MS M 677, fol. 157v



In medieval sculpture 

In stone

Death of the Virgin
French, c. 1170
Senlis, Cathedral of Notre-Dame


Death of the Virgin
French, 1220
Strasbourg, Strasbourg Cathedral


Andrea Orcagna, Tabernacle of the Dormition
Italian, 1359
Florence, Orsanmichele





In Ivory

Death of the Virgin
Italian, c. 1360-1370
London, Victoria and Albert Museum 


Master of Kremsmuenster, Death of the Virgin
German, c. 1400-1450
Chicago, Art Institute



And in Other Materials

Veit Stoss, High Altar of The Virgin Mary, Death of the Virgin
German, c. 1477-1489
Cracow, Church of Saint Mary



Death of the Virgin
Austrian, End of the 15th Century
Vienna, Belvedere Museum



In Panel and Wall Painting During the Middle Ages

Duccio, Death of the Virgin
Italian, c. 1308-1311
Siena, Museo dell'Opera del Duomo



Death of the Virgin
Bohemian (Czech), c. 1340-1345
Boston, Museum of Fine Arts



Fra Angelico, Death of the Virgin
Italian, c. 1431-1432
Florence, Museo di San Marco



Other Representations

In addition to the Byzantine image, in which Christ stands at the deathbed holding the soul of His mother, other images developed.  In these Christ is seen in heaven, above the earthly deathbed, either carrying Mary's soul or reaching toward her. 




Death of the Virgin
From the Prüm Evangelary
German (Prüm), First Half of the 12th Century
Paris, Bibliotheque nationale de France
MS Latin 17325, fol.51v





Death of the Virgin
From a Vita Christi
English, c. 1190-1200
Los Angeles, J. Paul Getty Museum
MS 101, fol. 92v




Death of the Virgin
From the Breviary of Martin of Aragon
Spanish (Catalan), c. 1398-1430
Paris, Bibliotheque nationale de France
MS Rothschild 2529, fol. 369r


Adding Liturgical Elements

In the course of the medieval period numerous representations of Mary's death began to include elements of the liturgy that surrounds the death of the faithful.  These include the use of incense, burning candles and the sprinkling of holy water.  In many of these images one of the Apostles, easily identified as Saint Peter, appears in actual liturgical garments, the alb, the basic priestly garment, and the cope, which is a capelike garment worn by the priest for liturgical functions outside of Mass.

Death of the Virgin
From the Book of Pericopes of Henry II
German (Reichenau), c. 1007-1012
Munich, Bayerische Staatsbibiliothek
MS Clm 4452, fol.  161v
Here we see the use of incense in the swinging thurible at the front and candles behind the bed.


Maitre de la Mazarine and Workshop, Death of the Virgin
From Livre des merveilles by Jean de Mandeville
French (Paris), c. 1410-1412
Paris, Bibliotheque nationale de France
MS Francais 2810, fol. 163r
Here Saint Peter is shown wearing a cope and using a type of aspergillam to sprinkle the corpse with holy water.




Follower of the Egerton Master, Death of the Virgin
From a Book of Hours
French (Besancon), c. 1425-1435
New York, Pierpont Morgan Library
MS M293, fol. 9r
In this image Saint Peter sprinkles the corpse with holy water as Mary's soul arrives in the arms of her son.




Death of the Virgin
German, c. 1430-1440
London, Victoria and Albert Museum
Several of the Apostles participate in liturgical actions: imparting a blessing, possibly using holy water (the active hand has been cut off at some point), holding a liturgical book, preparing incense for use.




Master of the Heisteracher Altars, Death of the Virgin
German, c. 1440
Munich, Bayerische Staatsgemäldesammlungen, Alte Pinakothek






Attributed to Domingo Ram, Death of the Virgin
Spanish, c. 1490-1500
Le Mans, Musée de Tessé
As Mary's soul enters heaven, two of the Apostles prepare incense, Saint John prays and Saint Peter, vested in alb and cope and carrying a crozier looks on.



A Late Occurring Image

In 1803 the "rogue" English artist and poet, William Blake, prepared his own vision of the death of Mary. Like so many of his works, it is highly spiritualized. Gone are the details of room and bed. Gone are the apostles, replaced by angels.

William Blake, Death of the Virgin
English, 1803
London, Tate Britain


Mourning the Death of the Virgin

In this iconographic type the Apostles mourn the obviously already dead Virgin Mary and, sometimes, prepare her body for burial. There is no supernatural presence of Christ and Mary's soul seldom makes an appearance.  Frequently, the mourning appears to be happening in a public space, as opposed to the images of the Death of the Virgin, which usually takes place in the room in which she dies.  This is especially true as artists gained greater understanding of representing space through the use of perspective, thus opening the space up to include the out of doors.







The Apostles Mourn the Death of the Virgin
From the Psalter of Saint Louis and of Blanche of Castille
French (Paris), c. 1225
Paris, Bibliotheque nationale de France
MS Arsenal 1186, fol. 29v




Master of the Roman de Fauvel, Apostles Mourning the Death of the Virgin
From Vies de Saints
Franch (Paris), c. 1300-1350
Paris, Bibliotheque nationale de France
MS Francais 183, fol. 58r





Richard de Montbaston, The Apostles Mourning the Death of the Virgin
From Legenda aurea by Jacobus de Voragine
French (Paris), 1348
Paris, Bibliotheque nationale de France
MS Francais 241, fol. 209v





Andrea del Castagno, Mourning the Virgin Mary
Italian, c. 1442-1443
Venice, Basilica di San Marco




Andrea Mantegna, Mourning the Virgin Mary
Italian, c. 1462
Madrid, Museo Nacional del Prado





Pier Maria Pennacchi, Mourning the Virgin
Italian, c. 1511
Venice, Gallerie dell'Accademia





Michiel Coxcie, Mourning the Death of the Virgin
Flemish, Before 1550
Madrid, Museo Nacional del Prado







Giuseppe Arcimboldo, The Apostles Mourning the Death of the Virgin (Tapestry)
Italian, 1558
Como, Cathedral






Caravaggio, Death of the Virgin
Italian, 1605
Paris, Musée du Louvre






Apostes Mourning the Death of the Virgin
French, c. 1540-1550
Solesmes, Abbey of Saint-Pierre







Jean Charles Nicaise Perrin, Death of the Virgin
French, 1788
Versailles, Chateaux de Versailles et de Trianon
It is at this period that the iconography of the Death of the Virgin was superseded by the finalized image of the Assumption.


Funeral of the Virgin.

After the mourning period comes the funeral.  This subject is one of the less familiar ones. It may consist of an image of the Apostles carrying the bier of the Virgin to the cemetery at Gethsemane or of the apostles standing at the graveside.

Master of the Roman de Fauvel, Funeral of the Virgin
From Lives of the Saints
French (Paris), 1325-1350
Paris, Bibliotheque nationale de France
MS 183, fol. 58r


Master of Death, Funeral of the Virgin
From Histoire de la Bible et de l'Assomption de Notre-Dame
French (Paris), c. 1390-1400
New York, Pierpont Morgan Library
MS M 526, fol. 43r


Bedford Master and Workshop, Funeral Procession of the Virgin
From a Book of Hours
French (Paris), c. 1430-1435
New York, Pierpont Morgan Library
MS M359, fol. 103v


Master of Peter Danielssoen, Burial of the Virgin Mary
From Spiegel van den laven ons Heren and other works
Flemish (Brabant), c. 1450-1460
New York, Pierpont Morgan Library
MS M 868, fol. 63r



Filippo Lippi, Funeral of the Virgin
Italian, 1467-1469
Spoleto, Cathedral



Jean Colombe and Workshop, Burial of the Virgin
From Hours of Anne of France
French (Bourges), 1473
New York, Pierpont Morgan Library
MS M677, fol. 160v


Bartolomeo Vivarini, Burial and Assumption of the Virgin
Italian, 1485
New York, Metropolitan Museum of Art


Francesco da Sangallo and Domenico Aimo, Funeral of the Virgin
Italian, c. 1523-1536
Loreto, Santa Casa


An Entirely Legendary Event


So far we have looked at images that, while they may not actually be related in the Gospels, are related to what Scripture does have to say.  They are more or less logical inferences from the story of Mary's known life.  But there is one subject associated with Mary's death that is entirely legendary, and rather alarming.

These are images of the Virgin's funeral procession that include the legendary figures of one or two Jewish priests or zealots, who attempted to overturn the bier, seize the corpse and burn it. According to this legend, they received a frightening punishment for their sacrilegious attempt to seize the corpse of the Mother of God.  Their hands were made useless and they were unable to accomplish their intent. 4   

Artists chose various ways of depicting this part of the story.  In some cases the evildoers simply stick to the bier and are carried along with the procession.  

Funeral Procession of the Virgin Carries the Malefactors Along
From the DeLisle Hours
English (possibly York), c. 1316-1331
New York, Pierpont Morgan Library
MS G 50, fol.161r



In others, they touch and then drop helplessly to the ground.  

The Funeral Procession of the Virgin, the Malefactors Are Rendered Helpless
From the Historien Bibel
German (Swabia), c. 1375-1400
New York, Pierpont Morgan Library
MS M 268. fol. 33v


Master Francois and Workshop, The Funeral Procession of the Virgin, the Malefactors Are Rendered Helpless
From Speculum historiale by Vincent of Beauvais
French (Paris), 1463
Paris, Bibliotheque nationale de France
MS Francais 50, fol. 243r 


In still other, rather gruesome, depictions the hands stick, but the bodies of the disrupters do not. Probably the reaction to this was much the same as our own reactions to gruesome horror movies, it makes us mildly sick, but we love it.  Our ancestors probably had much the same reaction.  And this is no doubt why these scenes soon dominated this particular minor apocryphal subject.  

Master of the Livre du Sacre and Workshop, The Funeral Procession of the Virgin, the Malefactors Lose Their Hands
From Speculum historiale by Vincent of Beauvais
French (Paris), c. 1370-1380
Paris, Bibliotheque nationale de France
MS Nouvelle acquisiton francaise 15940, fol. .67rb


Master of Death, The Funeral Procession of the Virgin, the Malefactors Lose Their Hands
From Histoire de la Bible et de l'Assomption de Notre-Dame
French (Paris), c. 1390-1400
New York, Pierpont Morgan Library
MS M 526, fol. 43v


Brother Philipp, The Funeral Procession of the Virgin, the Malefactors Lose Their Hands
From Weltchronik
German (Regensburg), c.1400-1410
Los Angeles, J. Paul Getty Museum
MS 33, fol. 306r 


Master of Peter Danielssoen, The Funeral Procession of the Virgin, the Malefactors Lose Their Hands
From Spiegel van den laven ons Heren and other works
Flemish (Brabant), c. 1450-1460
New York, Pierpont Morgan Library
MS M 868, fol. 62r


Jean le Tavernier, The Funeral Procession of the Virgin, the Malefactors Lose Their Hands
From Miracles de Notre Dame by Jean Mielot
Flemish (Oudenarde), 1456
Paris, Bibliotheque nationale de France
MS Francais 9198, fol. 50r 


Jean Poyer, The Funeral Procession of the Virgin, the Malefactors Lose Their Hands
From a Book of Hours
French (Tours), c. 1500
London, British Library
MS Yates Thompson 5, fol. 60


Hans Schaeufelein, Funeral Procession of the Virgin, the Malefactors Lose Their Arms
From the Christgatner Altar
German, c. 1515-1516
Munich, Bayerische Staatsgemäldesammlungen, Alte Pinakothek


______________________________________

Notes for backgrouod on the Assumption: 
1. Pius XII, Munificentissimus Deus: Defining the Dogma of the Assumption, November 1, 1950. The complete text in English is available at http://www.vatican.va/holy_father/pius_xii/apost_constitutions/documents/hf_p-xii_apc_19501101_munificentissimus-deus_en.html

2. For a review of the First Council of Ephesus see, http://www.newadvent.org/cathen/05491a.htm

3. Catechism of the Catholic Church, Second edition, article 966. Available online at http://www.vatican.va/archive/ENG0015/__P2C.HTM


Such legendary "events" as the annunciation of the Virgin's impending death, the gathering of the apostles in Jerusalem and the punishment of the sacrilegious men at the funeral come from the compilation of such legends made in the late 13th century known as the 

The Golden Legend (Legenda Aurea), Compiled by Jacobus de Voragine, 1275, Englished by William Caxton, 1483, Vol. 4, pp. 110-117. Available online at http://www.fordham.edu/halsall/basis/goldenlegend/GoldenLegend-Volume4.asp#Assumption

© M. Duffy, 2011, revised, with additional material 2019.  Completely revised and expanded 2022.