|East 73rd Street this afternoon looking toward|
So, today was the first day in the city for my new neighbor, Pope Francis. And boy, oh boy is he being protected!
I can't say that I have yet seen video of the events of the day here in the Big Apple. His arrival coincided with my departure from my apartment and I have only just returned home from two events (more about them later).
|East 73rd Street looking toward Park Avenue|
When I left my apartment I stepped off the elevator and out the door to find the entire block filled with parked police vehicles.
They were parked mostly on the sidewalk, perpendicular to the street, so that they could make a quick exit, but leaving little room for pedestrians. That was pretty amazing.
|Madison Avenue and 73rd Street looking south circa 6 PM|
|Park Avenue at East 73rd Street circa 9 PM|
Returning home I found that the street has been blocked at both ends by heavy Sanitation trucks.
Before entering my block I strolled down Park Avenue to 72nd Street and found that street even more heavily blockaded and very brightly lit. In addition, the sidewalks were completely closed by barricades.
|East 72nd Street looking west from Park Avenue|
There was no possibility of a group forming across from the residence to serenade the Pope as happened with Pope Benedict in 2008. In that famous New York phrase, fu-ged-a-bow-dit!
|East 72nd Street sidewalk looking west from Park Avenue|
|Madison Avenue at 73rd Street looking south at 9 PM|
My activities of the evening were all within walking distance. The first was a lecture on Iconoclasm in Spain during the Spanish Civil War. An astonishing number of religious works of art were destroyed, and I do mean destroyed, by the Republicans, according to the scholar presenting the talk. They included an early Michelangelo statue, a Crucifixion by Francisco de Mena and numerous paintings by El Greco, Zurbaran and others. There was some destruction by the Fascists, as well, though this was apparently more in the nature of collateral damage than deliberate destruction such as occurred on the other side. It is interesting that in all periods and places in which iconoclasm occurs it is religious images and especially the faces of the images that are most vehemently attacked. I may make further comments on this in a subsequent post.
After the lecture I went to a concert. This was a performance of Karl Jenkins' "Mass for Peace, the Armed Man". The name derives from the Renaissance motet, "L'Homme Armé", which forms the base for the first piece in the current work. Tonight's performance, by the Amor Artis Chorus and the New York Camerata Orchestra was certainly powerful, blisteringly so in fact. It was accompanied by the projection of video, obviously put together by persons working with the composer, using images of war and peace from nearly ever period of history from the Roman Empire to today. I had some reservations about some of the images, partly because they were definitely British in tone, partly because they seemed distinctly Euro-centric and partly because they used footage of the attack on the World Trade Center, including the moment of attack on the south tower and of that tower's fall. I was concerned that there could be people in the audience who may have lost family or friends in that event, especially as its appearance was unexpected. Still, the concert definitely had something important to say about war and peace, if only that peace is generally better than war. However, we do need to remember that there may at times be things worth fighting for, we just need to be sure that we know the difference.