Note: You can read more about Saints Anne and Joachim in my ongong series of articles "Glorious St. Anne" (click here) to access the first in the series.
Today we celebrate the feast of Saints Anne and Joachim, the parents of Mary and grandparents of Jesus. Although there is no evidence about them in the New Testament, there had to be two people who were Mary’s parents. We do not know if Anne (Hannah) and Joachim were actually their names, but those are the names that have been associated with them from an early extra-Biblical tradition.
Over time, most of the devotion to this couple has centered on St. Anne, the mother, rather than St. Joachim, the father. It is, of course, the mother that provides the actual physical link, a sort of holy version of mitochondrial DNA, for out of the mother comes the Mother and from the Mother comes the Son. That is why some of the most famous images of St. Anne, Mary and Jesus in the history of art have the somewhat curious look of Russian nested dolls. Among the famous images are those of the early fifteenth-century Florentine artist, Masaccio (Florence, Uffizi) as well as the later fifteenth-century Florentine, Leonardo da Vinci. Leonardo’s image exists in two versions, a large drawing (more properly a cartoon) in the National Gallery in London (at left) and a modified painting in the Louvre in Paris. In these images, Jesus sits on Mary’s lap, while Mary herself sits on her mother’s lap. While emphasizing the blood relationship of the group, the arrangement seems today somewhat awkward, even comical.
This may be why, following the Protestant Reformation and the Catholic response, painting in the Catholic countries (there was little such work in the Protestant countries) the emphasis shifted from the mere blood relationship to Anne’s role in preparing Mary for her eventual role as Mother. Thus, the most popular image of St. Anne became that of “The Education of the Virgin”. Almost all of these images show St. Anne teaching Mary by encouraging her to read the Scriptures. Among the most famous versions are those by Peter Paul Rubens (Brussels, Museé Royaux des Beaux-Arts) and Georges de la Tour (New York, Frick Collection -- see yesterday's post for image). But there are many others.
By contrast, Joachim plays only a small role in the iconography of this holy couple. Probably the most famous example of his inclusion comes from Giotto’s paintings of the lives of Joachim and Anne in the Scrovegni Chapel in Padua. Here are laid out the stories taken from the early traditions, of the couple, humiliated for their childlessness, and of the response to their prayers in separate angelic visitations and of their touching meeting at the Golden Gate of Jerusalem.
Today, we honor them both for their role as parents and grandparents.
Saints Joachim and Anne, pray for us.