Ad Imaginem Dei: The O Antiphons

Tuesday, December 17, 2024

The O Antiphons

+Follower of the Coetivy Master, Initial O
From a Book of Hours
French (Loire Region), c. 1470-1480
New York, Pierpont Morgan Library
MS G1.II, fol. 232v

For the convenience of readers I am reposting this listing of the O Antiphons.

In the week before Christmas, the Liturgy of the Hours (the official daily prayer of the Church) includes a series of special antiphons that precede the recitation of the Magnificat (Luke 1: 46-55) during Evening Prayer that are collectively called the O Antiphons. In the English-speaking world most Christians are familiar with them as they are paraphrased in the verses of the well-known Advent hymn "O Come, O Come Emmanuel", which is a free translation of the medieval Latin text.

The O Antiphons refer to Christ under eight different titles. These titles connect certain events or ideas from the Old Testament that are understood to forecast different aspects of Jesus and the salvation He came to give.

To see the images these titles reflect, click on the title of the antiphon below:

December 17 -- O Wisdom, O Holy Word of God!

December 18 -- O Sacred Lord of Ancient Israel!

December 19 -- O Flower of Jesse's Stem!

December 20 -- O, Key of David! Come, break down the walls of death!

December 21 -- O Radiant Dawn! O Sun of Justice!

December 22 -- O King of All the Nations!

December 23 -- O Emmanuel! Savior of all people, come and set us free!

In recent years a revival of lay interest in the Liturgy of the Hours has brought more awareness of these special texts.

Here is a video of Ely Cathedral Women's Choir singing the traditional English version of "Veni, Veni, Emmanuel".

+ Image updated 2024.

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Uniquely among the monotheistic religions Christianity permits the use of images of God. Why? The answer lies in the Christian belief in the reality of the Incarnation. Since God has assumed human nature and form the Biblical prohibition against making images of God ceases to apply. As the second Council of Nicea declared in 787 "Following the divinely inspired teaching of our holy Fathers and the tradition of the Catholic Church (for we know that this tradition comes from the Holy Spirit who dwells in her) we rightly define with full certainty and correctness that, like the figure of the precious and life-giving cross, venerable and holy images of our Lord and God and Savior, Jesus Christ, our inviolate Lady, the holy Mother of God, and the venerated angels, all the saints and the just, whether painted or made of mosaic or another suitable material, are to be exhibited in the holy churches of God, on sacred vessels and vestments, walls and panels, in houses and on streets."
(Council of Nicaea II: DS 600)

This decree of Nicea II was promulgated for the entire church, both Greek and Latin speaking, and was a response to the strongly held beliefs of the iconoclasts, who wished to suppress the use of images, which had convulsed the Byzantine Empire and the eastern churches for almost 100 years. In addition, St. John Damascene, last of the Greek Fathers and a staunch defender of images, had written in De imagine ("In Defense of Images") "Of old, God the incorporeal and uncircumscribed was never depicted. Now, however, when God is seen clothed in flesh, and conversing with men, (Bar. 3.38) I make an image of the God whom I see. I do not worship matter, I worship the God of matter, who became matter for my sake, and deigned to inhabit matter, who worked out my salvation through matter." (St. John Damascene, De Imagine, Part I, 15-16, from Internet Medieival Sourcebook.)

The ways in which this imaging of the divine has been accomplished in the course of time is the subject of Christian iconography. To quote from the Merriam-Webster dictionary, iconography is "1: pictorial material relating to or illustrating a subject; 2: the traditional or conventional images or symbols associated with a subject and especially a religious or legendary subject; 3: the imagery or symbolism of a work of art, an artist, or a body of art".

The iconography of any subject develops and changes over time. Christian iconography develops and changes too, as reflection on the Gospels and Tradition develops over time and as the act of making art develops and changes as well. This is the background for this blog.

Ad Imaginem Dei

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Tuesday, December 17, 2024

The O Antiphons

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