Eustache Le Sueur, Christ Healing the Blind Man French, c. 1650 Berlin, Schloss Sanssouci |
"As Jesus passed by he saw a man
blind from birth.
His disciples asked him,
“Rabbi, who sinned, this man or his parents,
that he was born blind?”
Jesus answered,
“Neither he nor his parents sinned;
it is so that the works of God might be made visible through him.
We have to do the works of the one who sent me while it is day.
Night is coming when no one can work.
While I am in the world, I am the light of the world.”
His disciples asked him,
“Rabbi, who sinned, this man or his parents,
that he was born blind?”
Jesus answered,
“Neither he nor his parents sinned;
it is so that the works of God might be made visible through him.
We have to do the works of the one who sent me while it is day.
Night is coming when no one can work.
While I am in the world, I am the light of the world.”
When he had said this, he spat on the ground
and made clay with the saliva,
and smeared the clay on his eyes,
and said to him,
“Go wash in the Pool of Siloam” —which means Sent—.
So he went and washed, and came back able to see.
His neighbors and those who had
seen him earlier as a beggar said,
“Isn’t this the one who used to sit and beg?”
Some said, “It is, “
but others said, “No, he just looks like him.”
He said, “I am.”
So they said to him, “How were your eyes opened?”
He replied,
“The man called Jesus made clay and anointed my eyes
and told me, ‘Go to Siloam and wash.’
So I went there and washed and was able to see.”
And they said to him, “Where is he?”
He said, “I don’t know.”
“Isn’t this the one who used to sit and beg?”
Some said, “It is, “
but others said, “No, he just looks like him.”
He said, “I am.”
So they said to him, “How were your eyes opened?”
He replied,
“The man called Jesus made clay and anointed my eyes
and told me, ‘Go to Siloam and wash.’
So I went there and washed and was able to see.”
And they said to him, “Where is he?”
He said, “I don’t know.”
They brought the one who was once
blind to the Pharisees.
Now Jesus had made clay and opened his eyes on a Sabbath.
So then the Pharisees also asked him how he was able to see.
He said to them,
“He put clay on my eyes, and I washed, and now I can see.”
So some of the Pharisees said,
“This man is not from God,
because he does not keep the Sabbath.”
But others said,
“How can a sinful man do such signs?”
And there was a division among them.
So they said to the blind man again,
“What do you have to say about him,
since he opened your eyes?”
He said, “He is a prophet.”
Now Jesus had made clay and opened his eyes on a Sabbath.
So then the Pharisees also asked him how he was able to see.
He said to them,
“He put clay on my eyes, and I washed, and now I can see.”
So some of the Pharisees said,
“This man is not from God,
because he does not keep the Sabbath.”
But others said,
“How can a sinful man do such signs?”
And there was a division among them.
So they said to the blind man again,
“What do you have to say about him,
since he opened your eyes?”
He said, “He is a prophet.”
Now the Jews did not believe
that he had been blind and gained his sight
until they summoned the parents of the one who had gained his sight.
They asked them,
“Is this your son, who you say was born blind?
How does he now see?”
His parents answered and said,
“We know that this is our son and that he was born blind.
We do not know how he sees now,
nor do we know who opened his eyes.
Ask him, he is of age; he can speak for himself.”
His parents said this because they were afraid
of the Jews, for the Jews had already agreed
that if anyone acknowledged him as the Christ,
he would be expelled from the synagogue.
For this reason his parents said,
“He is of age; question him.”
that he had been blind and gained his sight
until they summoned the parents of the one who had gained his sight.
They asked them,
“Is this your son, who you say was born blind?
How does he now see?”
His parents answered and said,
“We know that this is our son and that he was born blind.
We do not know how he sees now,
nor do we know who opened his eyes.
Ask him, he is of age; he can speak for himself.”
His parents said this because they were afraid
of the Jews, for the Jews had already agreed
that if anyone acknowledged him as the Christ,
he would be expelled from the synagogue.
For this reason his parents said,
“He is of age; question him.”
The Pharisees Question the Former Blind Man and His Parents From the Psalter-Hours of Yolande of Soissons French, c. 1280-1300 New York, Pierpont Morgan Library MS M 729, fol. 104v |
So a second time they called the
man who had been blind
and said to him, “Give God the praise!
We know that this man is a sinner.”
He replied,
“If he is a sinner, I do not know.
One thing I do know is that I was blind and now I see.”
So they said to him,
“What did he do to you?
How did he open your eyes?”
He answered them,
“I told you already and you did not listen.
Why do you want to hear it again?
Do you want to become his disciples, too?”
They ridiculed him and said,
“You are that man’s disciple;
we are disciples of Moses!
We know that God spoke to Moses,
but we do not know where this one is from.”
The man answered and said to them,
“This is what is so amazing,
that you do not know where he is from, yet he opened my eyes.
We know that God does not listen to sinners,
but if one is devout and does his will, he listens to him.
It is unheard of that anyone ever opened the eyes of a person born blind.
If this man were not from God,
he would not be able to do anything.”
They answered and said to him,
“You were born totally in sin,
and are you trying to teach us?”
Then they threw him out.
and said to him, “Give God the praise!
We know that this man is a sinner.”
He replied,
“If he is a sinner, I do not know.
One thing I do know is that I was blind and now I see.”
So they said to him,
“What did he do to you?
How did he open your eyes?”
He answered them,
“I told you already and you did not listen.
Why do you want to hear it again?
Do you want to become his disciples, too?”
They ridiculed him and said,
“You are that man’s disciple;
we are disciples of Moses!
We know that God spoke to Moses,
but we do not know where this one is from.”
The man answered and said to them,
“This is what is so amazing,
that you do not know where he is from, yet he opened my eyes.
We know that God does not listen to sinners,
but if one is devout and does his will, he listens to him.
It is unheard of that anyone ever opened the eyes of a person born blind.
If this man were not from God,
he would not be able to do anything.”
They answered and said to him,
“You were born totally in sin,
and are you trying to teach us?”
Then they threw him out.
When Jesus heard that
they had thrown him out,
he found him and said, "Do you believe in the Son of Man?”
He answered and said,
“Who is he, sir, that I may believe in him?”
Jesus said to him,
“You have seen him,
the one speaking with you is he.”
He said,
“I do believe, Lord,” and he worshiped him.
Then Jesus said,
“I came into this world for judgment,
so that those who do not see might see,
and those who do see might become blind.”
he found him and said, "Do you believe in the Son of Man?”
He answered and said,
“Who is he, sir, that I may believe in him?”
Jesus said to him,
“You have seen him,
the one speaking with you is he.”
He said,
“I do believe, Lord,” and he worshiped him.
Then Jesus said,
“I came into this world for judgment,
so that those who do not see might see,
and those who do see might become blind.”
Some of the Pharisees
who were with him heard this
and said to him, “Surely we are not also blind, are we?”
Jesus said to them,
“If you were blind, you would have no sin;
but now you are saying, ‘We see,’ so your sin remains."
and said to him, “Surely we are not also blind, are we?”
Jesus said to them,
“If you were blind, you would have no sin;
but now you are saying, ‘We see,’ so your sin remains."
John 9:1-41
Gospel for the Fourth Sunday of Lent, Year A
The dramatic story of the healing of the man born blind is
the Gospel for the Fourth Sunday of Year A, which is this Sunday this year. It is also the Gospel which the Church has
chosen as the Gospel for every fourth Sunday of Lent whenever the catechumens
who are to be baptized into the Church and the candidates who are to be
received into full Communion with her are present. Why?
Jesus Heals the Man Born Blind From the Rossano Gospels Byzantine (Possibly Syrian), 6th Century Rossano, Museo Diocesano MS Codex Purpureus Rossanensis |
Like the other Gospel readings for Year A, this Gospel tells
us an important story and reveals an important truth about Jesus and about the
way in which he revealed himself and that we come to faith in him. On the First Sunday of Lent we heard about
how Jesus was tempted to accept easy fame and honors and to reveal who he was
by doing miracles for empty show. On the
Second Sunday we heard how he went up Mount Tabor with three disciples and was
transfigured before them, revealing his glory as God and his lordship over
time. On the Third Sunday we heard his
discourse with the Samaritan woman and saw her transformed from a frightened,
ashamed woman into a bold bearer of the good news of the Messiah.
This week we hear a similar story. Jesus gives sight to a man who has been blind
from birth, something that for all our advances in medical science we still
cannot do. But, he did, using humble
instruments: a handful of earth and his
own spittle.
The story doesn’t stop there, but goes on to tell us about
the response which the once blind man received from the people in power, the
Pharisees. Their response is
strange. Instead of expressing wonder
and joy at a cure of such a disability they start worrying about the legality
of the work. It was a Sabbath when no
work is permitted, yet Jesus made a paste and cured a man. For Shame!
Such a violation of the law would have to indicate that the man is not
from God. To all of their questions and
barbs the healed man remains perfectly simple in his response, “I was blind and
now I see”. They even call in his
parents, both to identify him and to ask if they know what happened. I must say that I have always loved the
parents’ reply “We know that this is our son and that he was born blind. We do
not know how he sees now, nor do we know who opened his eyes. Ask him, he is of age; he can speak for
himself.” (John
9:21)
Again and again he gives his interrogators the same answer
and keeps confounding their attempts to shake him until finally they lose patience
and expel him from the synagogue.
After his expulsion Jesus finds him and reveals himself to
him and the man “worshiped him”. Worship
is due only to God, not to human beings.
In that last action of the formerly blind man he has gone from a state
of abject blindness as a beggar to that of a disciple who sees the reality
behind the physical presence of Jesus in a way that the more hardened Pharisees
never could. He has flipped the tables
of the religious world of Jerusalem, seeing what they are unable to see. He truly can say “I was blind and now I
see”.
And, in this he is the model for every Christian, as we struggle to clear our vision from the things of this world and truly
see. And this is why the Church reads this to the catechumens
every year.
Artists have represented this scene for many centuries. Most have followed the story pretty closely,
especially the moment of the miracle.
Healing of the Man Born Blind and of another man, possibly a leper or mute From an Ivory Book Cover Carolingian, c. 870-880 London, Victoria and Albert Museum |
Jesus Heals the Man Born Blind From a Book of Hours Flemish (Liege), c. 1250-1300 The Hague, Koninklijk Bibliotheek MS KB 76 G 17, fol. 20v |
Many have shown both aspects of what one might call the
mechanics of the miracle. They show not only Jesus anointing the eyes of the blind man with the mixture he had made but also a second scene of the man washing in the pool of Siloam.
Christ Healing the Man Born Bind Italian, c. 1080 Capua, Church of Sant'Angelo in Formis |
Duccio, Healing of the Man Born Blind From the Predella of the Maestà Italian, c. 1307-1311 London, National Gallery |
Painted Glass Window Roundel, The Healing of the Blind Man Dutch, c. 1510-1520 Amsterdam, Rijksmuseum |
Jacob Corneliszoon van Oostsanen after Albrecht Altdorfer, Healing of the Blind Man Dutch, c. 1520-1521 Philadelphia, Museum of Art |
Healing of the Man Born Blind Albanian, 1631 Goranxi, Church of Our Lady |
Others restrict the image to the moment of the miracle
itself. This eventually became the dominant
image for this narrative.
Healing of the Man Born Blind From The Hamilton Lectionary Byzantine (Constantinople), c. 1080-1099 New York, Pierpont Morgan Library MS M 639, fol. 33r |
Healing of the Man Born Blind and the Raising of Lazarus Spanish, c. 1129-1134 New York, Metropolitan Museum of Art, The Cloisters Collection |
A few included some of the aspects of the portion of the
story relating the interrogation of the man and his parents or his expulsion from the
synagogue.
One charming series of scenes, covering the entire
narrative, can be found in the Book of Hours illuminated by one of the greatest
manuscript painters of the early fifteenth century (a century that abounded in
great manuscript painters). Known as the
Bedford Master, after a Book of Hours created for the Duke of Bedford, he was a
French painter working in the Paris region, which at the period in which he
worked was occupied by the English and controlled by John, Duke of Bedford, a
brother of King Henry V of England, who was Regent of France for his nephew,
the young Henry VI of England. The
series of tiny paintings is spread over many pages and tells the complete story
from beginning to end.
Bedford Master. Jesus Encounters the Man Born Blind From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 85r |
Bedford Master, Jesus Anoints the Eyes of the Man Born Blind From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 85v |
Bedford Master, The Blind Man Washes His Eyes in the Pool of Siloam From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 86r |
Bedford Master, The Blind Man Relates His Cure From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 86v |
Bedford Master, The Parents of the Blind Man Are Questioned From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 87r |
Bedford Master, The Former Blind Man Before the Pharisees From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 87v |
Bedford Master, The Man and Parents Proclaim the Miracle From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 88r |
Bedford Master, The Formerly Blind Man Is Cast Out of the Synagogue From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 88v |
Bedford Master, The Formerly Blind Man Worships Christ From a Book of Hours French (Paris), c. 1430-1435 New York, Pierpont Morgan Library MS M 359, fol. 89r |
Some other manuscript painters, and later engravers, also included additional
scenes from the full story in their illuminations.
Some artists depicted alternate moments in the story, such as the first encounter between Jesus and the man born blind.
Master of Delft, Christ Heals the Man Born Blind Dutch, 1503 Amsterdam, Rijksmuseum In the foreground the blind man is presented to Jesus by a friend. In the background Jesus anoints his eyes. |
Hirschvogel Workshop After Sebald Beham, Christ Encounters the Man Born Blind German, c. 1517-1527 New York, Metropolitan Museum of Art, The Cloisters Collection |
As manuscript illumination waned and panel painting and engraving took over, artists tried to include some of the additional
details in the backgrounds of their principal image. Engraved prints, in particular, offered some
didactic material with their pictures, often accompanying the image with
explanatory written descriptions.
Most artists, however, focused on the moment of the miracle,
when Christ anoints the eyes of the blind man. As time and techniques permitted, artists began to expand the breadth of their vision, placing the miraculous event in wider and more elaborate natural and manmade settings.
Hans Schaeufelein, Christ Healing the Blind From Das Plenarium German, 1517 New York, Metropolitan Museum of Art |
Crispin van den Broeck, Jesus Healing the Man Born Blind Flemish, 1577 Windsor, Royal Collection Trust |
Joos de Momper, Christ Healing the Blind Man Flemish, c. 1610-1630 Private Collection |
David Vinckboons, Jesus Cures the Man Born Blind Flemish, c. 1600-1633 Princeton (NJ) Princeton University Art Museum |
Follower of Jacob Jacobszoon de Wet. Healing of the Man Born Blind Dutch, c. 1670-1700 Inverness, Museum and Art Gallery |
Christ Putting Clay on the Eyes of the Man Born Blind Dutch, c. 1700-1725 Philadelphia, Museum of Art |
Sebastiano Ricci, Jesus Healing the Man Born Blind Italian, c. 1712-1716 Edinburgh, National Galleries of Scotland |
Francesco de Mura, Jesus Healing the Man Born Blind Italian, c. 1750-1780 Reading, Berkshire, Basildon Park, National Trust |
Giovanni Domenico Tiepolo, The Miracle of Christ Healing the Man Bor Blind Italian. 1752 Hartford, The Wadsworth Atheneum |
Attributed to John Martin, Jesus Healing the Man Born Blind English, c. 1830-1850 New Haven, Yale Center for British Art, Paul Mellon Collection |
Late in the nineteenth century, the French painter James
(Jacques) Tissot traveled to the Holy Land to prepare two detailed series of watercolor
paintings illustrating multiple scenes from both the Old and New
Testament. They were published by him in
two volumes of reproductions and have been used extensively in illustrated
Bibles since then. He chose to avoid the
moment of the miracle and to focus on two later scenes: the blind man washing his face in the pool of
Siloam and his response to the questioning of the Pharisees.
James Tissot, The Blind Man Washes in the Pool of Siloam French, c. 1886-1894 New York, Brooklyn Museum |
James Tissot, The Healed Blind Man Responds to the Interrogation of the Pharisees French, c. 1886-1894 New York, Brooklyn Museum |
Tissot’s work represented the end of the line for easily
readable Biblical images by major artists.
The last of Tissot’s work was published in 1902. Thereafter, high art became more definitely
abstract and less involved in narration.
© M. Duffy, 2020
Excerpts from the Lectionary
for Mass for Use in the Dioceses of the United States of America, second
typical edition © 2001, 1998, 1997, 1986, 1970 Confraternity of
Christian Doctrine, Inc., Washington, DC. Used with permission. All rights
reserved. No portion of this text may be reproduced by any means without
permission in writing from the copyright owner.
Scripture texts in this
work are taken from the New American Bible, revised edition © 2010, 1991, 1986,
1970 Confraternity of Christian Doctrine, Washington, D.C. and are used by
permission of the copyright owner. All Rights Reserved. No part of the New
American Bible may be reproduced in any form without permission in writing from
the copyright owner.
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