Showing posts with label Transubstantiation. Show all posts
Showing posts with label Transubstantiation. Show all posts

Saturday, June 1, 2024

The Miracle of the Mule – A Corpus Christi Reflection


+Jean Bourdichon, Saint Anthony and the Mule
From the Grandes heures d'Anne de Bretagne
French (Tours), c. 1503-1508
Paris, Bibliotheque nationale de France
MS Latin 9474, fol. 187v

Many Catholics think of Saint Anthony of Padua in somewhat sentimental terms.  He’s the saint who finds lost things, he’s the saint so often depicted holding the baby Jesus in his arms.  However, Anthony is not the somewhat colorless person I had always subconsciously assumed him to be, but a formidable intellectual and very effective preacher, in addition to apparently being a humble and holy individual. 

Unfortunately, not too many Catholics recognize this.  A few may be aware that he was an important early Franciscan theologian and preacher and a doctor of the Church.  Fewer still probably remember that he was once called the “Hammer of Heretics”. 

He was renowned in his lifetime as a preacher, especially a preacher to the heretics of the Mediterranean region in his own day, the Albigensians or Cathars and others.  Belief in the reality of Christ present in the consecrated bread and wine has often been challenged in church history.  Indeed, as John 6:60 points out even some of the disciples who heard the words, "I am the living bread that came down from heaven; whoever eats this bread will live forever; and the bread that I will give is my flesh for the life of the world” (John 6:51) from Christ’s own mouth refused to believe him.  So, it is hardly surprising that skeptics have always been around. 

As the story goes, St. Anthony was preaching in a town (variously called Toulouse or Bourges in France or Rimini on the Adriatic coast of Italy) where the Cathars denied that at the Consecration Christ Himself became present in the bread and wine.   One of these gentlemen challenged Anthony to a kind of contest.  If it was so evident that the bread became Christ’s body at the consecration, how about testing it to see whether a dumb animal would sense God’s presence in the Host and choose it over a good feed of hay and oats.  Anthony accepted.



+Jean Colombe and Workshop, The Holy Eucharist (Viewing the Mass and the Miracle of the Mule)
From the Tres riches heures of  Jean de Berry
French, c. 1485
Chantilly, Musée Condé 
MS 65, fol. 129v



So, a donkey (or mule or horse, depending on the version of the story) was denied food for three days to make sure that it would be really hungry on the day appointed for the test.  Then the beast was taken to the location for the test, usually said to be the town square.  Food was offered to the hungry animal.  At that point Anthony raised the Host and prayed “Creature of God, in His name, I command you to come here to adore Him, so that it will give truth to all, of the Real Presence of Jesus in the Blessed Sacrament of the Eucharist.” Surprising the unbelievers and the skeptics and even some of the faithful, the animal ignored the food in order to approach Anthony and kneel before the Host, thus proving that even dumb animals believed in the transformation of bread into the Body of Christ.   The heretic who had challenged Anthony came to believe through this miracle. 2





*Bartolomeo Bellano, The Miracle of the Mule
Italian, c. 1469-1472
Padua, Church of San Antonio, Sacristy






+Taddeo Crivelli_The Miracle of the Mule
From the Gualenghi-d'Este Hours
Italian (Ferrara), c. 1469
Los Angeles, J. Paul Getty Museum
MS Ludwig IX 13, fol. 193v



The charm of this story, real or not, lies in the animals kneeling gesture.  As anyone who has watched an animal in the equine, bovine, ovine or camelid families recline knows, the gesture of kneeling with the front legs is quickly followed with a corresponding movement of the hind limbs.  To have an animal kneel and hold that position is rare, though not unheard of.  So, the image gets our attention and holds it.  It has been a favorite one for many artists through the years.




*Lorentino d'Andrea, The Miracle of the Mule
Italian, c. 1480
Arezzo, Basilica di San Francesco, Chapel of Saint Anthony




+Jean Poyer, Saint Anthony and the Miracle of the Mule, Saint Anthony Preaching
From the Hours of Henry VIII
French (Tours), c. 1495-1505
New York, Pierpont Morgan Library
MS H 8, fol. 186v




One of the first images that comes to mind is also one of the most famous.  This was an image by the great Quattrocento sculptor, Donatello, from the monumental altar of St. Anthony in Padua (where else!).  The altar has a series of bas reliefs of cast bronze, set into the marble altar structure.  The panel that had particularly struck me shows a composition with the background space of a very classical three arch arcade presented in beautifully laid out perspective.  In the front plane crowds of spectator figures, filling the two side arches, strain to see the action in the central arch.  To increase the sensation of depth, some figures are shown as if emerging from an internal passage within the arcade. 




+Donatello, The Miracle of the Mule of Rimini
Italian, c. 1446-1453
Padua, Basilica of Sant Antonio



In the central arch, in front of what appears to be an altar, are four figures rather incongruously brought together.  They are
  •       St. Anthony dressed in vestments,
  •       A man with a load of hay or straw over his shoulder,
  •       Another man holding a bowl of some sort and
  •       A donkey or mule. 



+Donatello, The Miracle of the Mule of Rimini (Detail of the central arch)
Italian, c. 1446-1453
Padua, Basilica of Sant Antonio

However, while the Donatello image is of major importance in the history of western art, some of the other images are more charming and also convey more seriously the real importance of the point of the image, the reality of Christ present in the Holy Eucharist.  In 2020, the year of the COVID pandemic, the feasts of Saint Anthony and of Corpus Christi occurred on the same day.  This reminds  us that no matter what the situation of the world, Jesus is present among us through the sacrament of his presence and that their are also saints among us.



+The Miracle of Saint Anthony of Padua
Flemish, c. 1500
Madrid, Museo Nacional del Prado




+Master of the First Praybook of Maximilian and Workshop, The Miracle of the Mule
From the Hours of Queen Isabella the Catholic
Flemish, c. 1500
Cleveland, Museum of Art
Acc. # 1963.256, fol. 187v 





*Jean Pichore, The Miracle of the Mule
From a Book of Hours
French (Central), c. 1510
Tours, Bibliotheque numicipale
MS BM 2104, fol. 39





*Antonio di Manfredo da Bologna Pirri, Saint Anthony Orders the Mule of the Heretic Bovidilla to Kneel Before the Host
Italian, c. 1510-1530
Berlin,Gemäldegalerie der Staatliche Museen zu Berlin, 





*Girolamo dal Santo, The Miracle of the Mule
Italian, 1515
Padua, Scuola del Santo





Master of Claude de France, Saint Anthony and the Mule
From the Prayer Book of Claude de France
French (Tours), c. 1515-1520
New York, Pierpont Morgan Library
MS M 1166, fol. 41v






+Domenico Beccafumi, The Miracle of the Mule
Italian, 1537
Paris, Musée du Louvre






+Attributed to Scarsellino, The Miracle of the Mule
Italian, c. 1600-1620
Paray-le-Monial, Musée du Hieron






+Giulio Cromer, The Miracle of the Donkey
Italian, c. 1600
Ferrara, Pinacoteca Nazionale





+Style of Eustache Le Sueur, The Miracle of the Mule
French, 17th Century
Clamecy, Musée d'Art et d'Histoire Romain Rolland






+Anthony Van Dyck, Saint Anthony and the Mule
Flemish, c. 1627-1630
Lille, Palais des Beaux-Art






*Giovanni Martinelli, The Miracle of the Mule
Italian, 1632
Pistoia, Church of San Francesco, Cardini  Chapel






*The Miracle of the Mule
Italian, Middle of the 17th Century
Aix-en-Provence, Musée Granet






+Joseph Heintz the Younger, Miracle of the Mule
Swiss, c.1650
Venice, Basilica dei Santi Giovanni e Paolo





*Hans Georg Asam, The Mireacle of the Mule
German, c. 1686-1687
Benediktbeuern, Abbey Church of Saint Benedict, Chapel of Saint Anthony






*Georg Franziskus Mika, The Miracle of the Mule
German, 1721
Maihingen (DE), Abbey Church of Mary Immaculate






*Thomas Christian Scheffler, The Miracle of the Mule
German, After 1750
Dillingen (DE), Franciscan Convent Church of the Assumption






+Johann Jakob Zeiller, The Miracle of the Mule
German, c. 1757-1764
Ottobeuren (DE), Monastery Church of Saints Theodore and Alexander





*The Miracle of the Mule
French, c. 1887
Neewiller-près-Lauterbourg (FR), Pilgrimage Chapel of Saint Anthony






*Louis-Gustave Duhamel-Marette, The Miracle of the Mule
French, 1898
Viller-sur-Mer, Parish Church of  Saint Martin





Let us, therefore, kneel before him in the flesh if we can, or in our hearts if we cannot, with the same faith as shown by the humble donkey almost 800 years ago.

© M. Duffy, 2021, revised  with additional images 2024.
* indicates new image
+ indicates refreshed image


1.  In a few countries it still falls on its former date, the Thursday following Trinity Sunday. 
2.  Antony, C.M., Saint Anthony of Padua, the Miracle Worker (1195-1231), London, Longmans, 1911, pp. 38-41.

Scripture texts in this work are taken from the New American Bible, revised edition © 2010, 1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, D.C. and are used by permission of the copyright owner. All Rights Reserved. No part of the New American Bible may be reproduced in any form without permission in writing from the copyright owner.




Wednesday, June 12, 2013

Eucharistic Miracles and Final Ends at the Morgan Library

Faithful Receiving The Eucharist From Christ
from DuBois Hours
English (probably Oxford), c. 1325-1330
New York, Pierpont Morgan Library
MS M700, fol. 121r
(Please note that this essay was originally written in conjunction with a temporary exhibition at the Pierpont Morgan Library in New York, which ran from May to September in 2013.)*


The last section of the current exhibition “Illuminating Faith: The Eucharist in the Life and Art of the Middle Ages” focuses on the topic of Eucharistic miracles.

Miraculous Hosts began to appear in the High Middle Ages, that is, in the same time period in which the Church finally came to agreement on an understanding of what transpired at the consecration of the Mass. This was the doctrine of Transubstantiation. Transubstantiation means that at the consecration the substance of the bread and wine are transformed into the Body and Blood of Christ, while still retaining the appearances of bread and wine. Although the reality of the presence of Christ in the consecrated elements has been believed by the Church from the earliest times, this formulation ended several centuries of debate on the mechanism of the transformation, which was most famously represented by the debates between Paschasius Radbertus and Ratramnus in the 9th century. It was St. Thomas Aquinas in the 13th century who formulated the philosophical ground for an understanding of what had been believed from the earliest centuries. 1


Belief in the actual presence of Christ in the Eucharist, the Real Presence, which endures beyond the celebration of Mass is and has been the belief of the Catholic Church from the very beginning. Eucharistic miracles reflect this belief.

They fall into several different categories. There are visions, bleeding Hosts and other manifestations of Christ’s Presence in the Host.

Visions

The exhibition includes images of the Mass of St. Gregory, during which Pope Gregory's fervent prayer for a sign to enlighten a doubting member of the congregation was answered by a vision of Christ as the Man of Sorrows, which appeared at the elevation and was visible to everyone in the church.

Jean Poyer, Mass of St. Gregory
from Hours of Henry VIII
French (Tours), 1500
New York, Morgan Library
MS H8, fol. 168r

In addition there is an image of the vision of St. Bridget of Sweden who saw the Host turn into a child as the priest held it up for the elevation.
Eucharistic Vision of St. Brigid of Sweden
From Devotional Miscellany
Italian (Naples), c. 1345-1400
New York, Pierpont Morgan Library
MS M498, fol. 4v

There is also a charming image of the miracle of St. Anthony of Padua and the mule, which I explained in an earlier article (here). In this image not only does the mule kneel to the Host, but so does St. Anthony, plus the Host in this image levitates.
Miracle of St. Anthony and the Mule
from Breviary of Eleanor of Portugal
Belgian (Bruges), c. 1500
New York, Pierpont Morgan Library
MS 52, fol. 411v-412r

Bleeding Hosts

However, the main focus of the exhibition is on one of the instances of bleeding Hosts, the Sacred Bleeding Host of Dijon.2 

This Host, which survived in honor for 350 years, was a gift from Pope Eugenius IV to Duke Philip the Good of Burgundy in 1433. Philip built a chapel for it, known as the Sainte Chapelle. in his capital at Dijon. An indication of the esteem in which the Bleeding Host was held is indicated by the name, which is the same as the Parisian chapel built for the relic of the Crown of Thorns by Philip’s ancestor, St. Louis.
Sacred Bleeding Host of Dijon
from a Book of Hours
French (Poitiers), c. 1475
New York, Pierpont Morgan Library
MS M1001, fol. 17v
This image shows the appearance of the Bleeding Host in great detail.

Bleeding Hosts were assumed to be the results of physical desecration of the Wafer by non-believers, especially Jews (the most frequently encountered non-Christians in medieval Europe). The Host of Dijon had bloody marks in areas specific to the wounds of Christ, a feature that made it particularly notable to the devout.

From 1433 to 1794, when it was burned by the French revolutionaries, the Host was shown intense devotion. This was only increased when, in 1505, King Louis XII of France received a cure after making a pilgrimage to the Host. In gratitude, he donated his crown to the shrine.
Sacred Bleeding Host of Dijon Adored By a Cleric
Single Leaf From a Gradual Choir Book
French (Dijon), c. 1536-1537
New York, Pierpont Morgan Library
MS M1144, fol. 1r
The show includes some of the vast amount of material that must have been produced. For example, images of the Host were sold as souvenirs in the cloisters attached to the chapel, just as similar items are sold at shrines today. But these souvenirs were often hand painted. The purchaser could bring the image home and add it to his or her own books of devotion, be those illuminated or printed.

Sacred Bleeding Host of Dijon Adored by a Couple
Souvenir Image added in the 1540s  to Heures a l'usiage de Romme
Printed in Paris, 1501
New York, Pierpont Morgan Library
PML 129355, MS fol. 9v




Interest in the Host of Dijon continued through the centuries until the Host was destroyed in the aftermath of the French Revolution.

In 1825, following the restoration of the monarchy in France, a Mass of Reparation was established and is celebrated in Dijon on February 10th to this day.

In the 19th century a micro-organism called micrococinus prodigiosus that grows on bread and which turns red and liquid was discovered. It is hypothesized that it is this organism that gave rise to a large number of medieval bleeding Hosts. Whether this was the case with this Host can neither be proved nor disproved since it was destroyed before the micro-organism was discovered.

The phenomenon of bleeding hosts has continued to the present.  Some of these have been examined scientifically and found to have no natural cause.  The case remains open.













Effects


Finally, another image in the exhibition should be mentioned. It offers a brief glimpse of the effects of the reception of Holy Communion, both good and bad.

In the center of this picture we see the Crucifixion, with Christ on the cross, His Blood flowing into a chalice, standing on an altar. On either side we see communicants whose actions paint the moral of the picture. The good Communion is shown on the left. These individuals make sincere, good confessions in the foreground; receive Communion in the proper spirit in the middle ground. In the background we see their souls being carried to heaven by angels. On the right side, we see the effects of a bad communion. These individuals make an insincere, bad confession in the foreground, but receive Communion in the middle ground. The effects of this insincerity appear in the background, as demons carry their souls to hell.
Good and Bad Communions
from a Book of Hours
Italian (possibly the Veneto), c. 1425-1450
New York, Pierpont Morgan Library
MS 1089, fol. 118v

The image makes clear the words of St. Paul “Therefore whoever eats the bread or drinks the cup of the Lord unworthily will have to answer for the body and blood of the Lord. A person should examine himself, and so eat the bread and drink the cup. For anyone who eats and drinks without discerning the body, eats and drinks judgment on himself.”
(1 Corinthians 11:27-29)

If you are in the New York area I strongly urge that you get to the Morgan Library and see for yourself the amazing variety of images of this most important subject.

© M. Duffy, 2013 
________________________________________________
1. LaVerdiere, Eugene S.S.S., The Eucharist in the New Testament and the Early Church, Liturgical Press, Collegeville, MN, 1996. Substantial sections of this book can be viewed at http://books.google.com/books?id=j1BjjBe4dL4C&pg=PA1&dq=LaVerdiere+%22oldest+attestation%22&hl=en&sa=X&ei=g6-3UaTnJvin4APytIGoAg&ved=0CC8Q6AEwAA#v=onepage&q=LaVerdiere%20%22oldest%20attestation%22&f=false
See also: 


2. You can learn more about the Sacred Bleeding Host of Dijon in this slideshow narrated by Roger Wieck, the curator of the Morgan exhibition (here). Just bear in mind that in his introductory remarks about the Host Mr. Wieck uses the past tense to explain Eucharistic beliefs, making it sound a bit like they only applied in the Middle Ages. Not so.  This is still the faith of the Church today, so a better tense for his remarks should have been the present.

*  Some images are available at http://www.themorgan.org/exhibitions/images/illuminating-faith


Tuesday, June 4, 2013

Domestic Devotion to the Eucharist at the Morgan Library


Receiving Communion After Mass
From Book of Hours
Dutch (Haarlem), c. 1445-1460
New York, Pierpont Morgan Library
MS M1031, 193v (det.)

(Please note that this essay was originally written in conjunction with a temporary exhibition at the Pierpont Morgan Library in New York, which ran from May to September in 2013.)*

This posting was to have been done three days ago, but a series of domestic and other events proved too distracting and time consuming. So, although my plan for coordinating these postings with the celebration of Corpus Christi has gone somewhat awry, I am continuing with my comments on the current extraordinary exhibition on the Eucharist in manuscript painting in the middle ages. The section I will examine today is entitled “Domestic Devotion to the Eucharist”.

 As the wall card that introduces this part of the exhibition states “During the High and Late Middle Ages, the Eucharistic wafer and its Elevation became the focus of the ceremony (i.e., the Mass). During this era the wafer achieved cultlike status, and lay people were provided with opportunities to worship the host outside of Mass at expositions and processions”. 1

In an era when reception of Communion was infrequent, seeing the Host was a major way in which Christians could unite themselves to Christ. And it remains so today. Although today’s Church members experience more frequent reception of Communion than was common in the Late Middle Ages, one need only think back to yesterday (June 2, 2013, the Solemnity of the Most Holy Body and Blood of Christ or Corpus Christi) to experience the intense devotion to the Eucharist that unites our time to theirs. This includes the many Eucharistic processions that took place in and outside of Catholic churches yesterday and the innovative worldwide hour of adoration organized by the Vatican, so that every continent and country might offer adoration to the Presence of the Lord in the Eucharist at a unified point in time.

It must be remembered that Catholics believe that the change in the nature of the bread and wine offered at Mass into the Body and Blood of Christ is a permanent one. It persists, so that the Presence of Christ remains permanently. While the Blood of Christ is always consumed immediately, Hosts may be reserved for distribution to the sick and dying and for adoration. Thus, the honor and adoration offered to the Host outside of Mass is honor and adoration directed to Christ Himself.

Master of the Morgan Infancy Cycle,
Angels Adoring the Host in a Tabernacle
From a Book of Hours
Dutch (perhaps Delft), c. 1415-1420
New York, Pierpont Morgan Library
MS M866, fol. 105v
For the people of the Late Middle Ages the most frequently used prayer books were the Books of Hours, a kind of abridgment of the Liturgy of the Hours or Breviary, which was recited by the clergy. The Book of Hours contained several different devotional items, including Bible excerpts, litanies, psalms, “little” offices of various kinds, plus a calendar of the liturgical year. It was usually illustrated, often sumptuously. The illustrations were a focus of sight for their users, helping them to visualize the Mystery which was the subject of their prayer, even when the prayers were being offered in a domestic and not a church setting. In the case of Eucharistic adoration in a domestic setting, they also provided the image of the Host itself, reinforcing the Communion through sight that was the most common form in the period. It is these illustrations that the Morgan features.

Among the images highlighted in the Morgan exhibition are those that one might call “pure adoration”. These images show the Host, reserved in a monstrance or in an open tabernacle, which is supported and adored by angels.
Angels Adoring the Host
From a Book of Hours
Belgian (perhaps Bruges), c. 1420
New York, Pierpont Morgan Library
MS M76, fol. 161v


















It is a pure and otherworldly participation in adoration, in which the human worshiper is joined with the angelic ones, and it occurs in both personal books of devotion and even in a large “choir” book to be used by many singers at once.



Francesco Bettini and others, Angels Adoring the Host 
From an Antiphonary (one of six "Lodi" Choir Books)
Italian (Milan), c. 1470-1495
New York, Pierpont Morgan Library
MS M682, fol. 19v (det.)

 
 
Other images that could focus the mind on Eucharistic adoration were images of celebrations of the Mass, such as the three shown here, and especially on those moments that surround the Consecration.

Niccolo da Bologna, Priest Celebrating Mass
From a Liturgical Miscellany
Italian (Bologna), c. 1370
New York, Pierpont Morgan Library
MS M800, fol. 40r
 

Priest Celebrating Mass  
From a Book of Hours
Northern French or Flemish, c. 1445
New York, Pierpont Morgan Library
MS M287, 29r
 

Simon Bening, Mass of the Five Wounds of Christ
from the Da Costa Hours
Belgian (Ghent), c. 1515
New York, Pierpont Morgan Library
MS M399, fol. 36v

 
 
In addition, there were some popular images that linked the Eucharist to the Passion of Christ.

Wound of Christ (actual size), with the Man of Sorrows
from a Book of Hours
French (Verdun or Paris), c. 1375
New York, Pierpont Morgan Library
MS M90, fol. 130r

 
Among the most startling to our modern eyes is the image, held in great reverence, of the wound of Christ, shown in actual size. As the label for this image reminds us, ancient tradition maintained that the mix of blood and water that flowed from the pierced side of the dead Christ on the cross (John 19:33-34) were also references to the two Christian sacraments of Baptism (water) and Eucharist (blood) (see "Blood and Water From His Side").  Presented, as this image is, in conjunction with an image of the Man of Sorrows, which we have seen also has a Eucharistic reference; this is a powerful image of the Presence of Christ. 


Christ in the Mystic Winepress 
From the Hours of Ulrich von Montfort
South German,  c. 1480-1499
Vienna, Oesterreichische Nationalbibliothek
MS Cod. 2748

Finally, the fairly common image of Christ in the Winepress (or the Mystical Winepress) in which the suffering Christ is being pressed by the winepress so that His blood flows out also relates directly to the Eucharistic experience of the Mass, although in this case to the precious Blood of Christ. (Note that the image displayed here is not from the Morgan exhibition. That image was unavailable.)

We can say with some certainty that these images, many of which were abandoned after the Council of Trent and even if somewhat strange to our eyes, have the capability of moving our own minds to adoration of the Body and Blood of Christ as effectively, if not more so, than the more language-oriented works that have succeeded them.

© M. Duffy, 2013

_____________________________________
1. © The Morgan Library, 2013.


* Some images are available at http://www.themorgan.org/exhibitions/images/illuminating-faith