Ad Imaginem Dei: Taking Up the Cross

Wednesday, February 25, 2009

Taking Up the Cross

Francois Duquesnoy, St. Andrew
French, 1629-1633
Vatican City, St. Peter's Basilica

Then he said to all,

"If anyone wishes to come after me, he must deny himself

and take up his cross daily and follow me.

For whoever wishes to save his life will lose it,

but whoever loses his life for my sake will save it.

What profit is there for one to gain the whole world

yet lose or forfeit himself?"

Luke 9:23-25

It's never easy to take up the cross, nor should it be. Sometimes it will lead you to laying down your own life for the sake of the Name.

St. Andrew by Francois Duquesnoy (at right).

Duquesnoy was one of three other sculptors employed by Bernini to create the colossal statues that stand in the niches built into the gigantic piers at the crossing (where nave and transepts intersect) of St. Peter's Basilica.

According to tradition, after preaching the Gospel in what is today Turkey and the Balkans, St. Andrew, brother of St. Peter, was crucified on an X-shaped cross during the reign of Nero.

As with the other three piers and their related statues, they are part of an amazing statement of the faith which Bernini developed in his designs for the furnishing of the crossing area. One of the greatest art history teachers I ever had, Irving Lavin, has written extensively on this design. Some of his work may be found at this link http://www.saintpetersbasilica.org/ . For the specific information on the crossing, its niches and statues, follow this path (for some reason the precise link can't be copied): click on "Library" from the links at the left side of the page, then on the image of the cover of "St. Peter's in the Vatican" (red cover with circular image of the basilica, second from the right in the second row), then "The Crossing Piers" hyperlink.

Uniquely among the monotheistic religions Christianity permits the use of images of God. Why? The answer lies in the Christian belief in the reality of the Incarnation. Since God has assumed human nature and form the Biblical prohibition against making images of God ceases to apply. As the second Council of Nicea declared in 787 "Following the divinely inspired teaching of our holy Fathers and the tradition of the Catholic Church (for we know that this tradition comes from the Holy Spirit who dwells in her) we rightly define with full certainty and correctness that, like the figure of the precious and life-giving cross, venerable and holy images of our Lord and God and Savior, Jesus Christ, our inviolate Lady, the holy Mother of God, and the venerated angels, all the saints and the just, whether painted or made of mosaic or another suitable material, are to be exhibited in the holy churches of God, on sacred vessels and vestments, walls and panels, in houses and on streets."
(Council of Nicaea II: DS 600)

This decree of Nicea II was promulgated for the entire church, both Greek and Latin speaking, and was a response to the strongly held beliefs of the iconoclasts, who wished to suppress the use of images, which had convulsed the Byzantine Empire and the eastern churches for almost 100 years. In addition, St. John Damascene, last of the Greek Fathers and a staunch defender of images, had written in De imagine ("In Defense of Images") "Of old, God the incorporeal and uncircumscribed was never depicted. Now, however, when God is seen clothed in flesh, and conversing with men, (Bar. 3.38) I make an image of the God whom I see. I do not worship matter, I worship the God of matter, who became matter for my sake, and deigned to inhabit matter, who worked out my salvation through matter." (St. John Damascene, De Imagine, Part I, 15-16, from Internet Medieival Sourcebook.)

The ways in which this imaging of the divine has been accomplished in the course of time is the subject of Christian iconography. To quote from the Merriam-Webster dictionary, iconography is "1: pictorial material relating to or illustrating a subject; 2: the traditional or conventional images or symbols associated with a subject and especially a religious or legendary subject; 3: the imagery or symbolism of a work of art, an artist, or a body of art".

The iconography of any subject develops and changes over time. Christian iconography develops and changes too, as reflection on the Gospels and Tradition develops over time and as the act of making art develops and changes as well. This is the background for this blog.

Ad Imaginem Dei

Pages

Wednesday, February 25, 2009

Taking Up the Cross

Central Park Sunset

Oscar Wild 1997(?)-2014