|Michelangelo, Elijah in the Fiery Chariot|
Vatican City, Vatican Museum, Sistine Chapel Ceiling
“As they walked on conversing,
a flaming chariot and flaming horses came between them,
and Elijah went up to heaven in a whirlwind.
When Elisha saw it happen he cried out,
"My father! my father! Israel's chariots and drivers!"
But when he could no longer see him,
Elisha gripped his own garment and tore it in two.
Then he picked up Elijah's mantle that had fallen from him,
and went back and stood at the bank of the Jordan.”
(2 Kings 2:11-13)
Excerpt from the First Reading for June 20, 2012
The dramatic event of the taking up of Elijah in the fiery chariot has a long history in Western art.
While not necessarily the most popular of images associated with Elijah (other scenes from his life, such as the miracle he performed for the starving widow, received more frequent representation) it is, nonetheless, very frequent.
|Giotto, Elijah in the Fiery Chariot|
Padua. Arena/Scrovegni Chapel
|Nicholas of Verdun, Elijah in the Fiery Chariot|
From the Klosterneuburg Altar
Klosterneuburg Abbey (Austria)
|Master of the Hours of Margaret of Cleves|
Translation of Enoch, Ascension of Jesus, Elijah in the Fiery Chariot
From Biblia pauperum
Northern Netherlands, ca. 1405
London, British Library, King's 5, fol. 26
|From Bible historiale by Guiard des Moulins|
French (Paris), c. 1300
Paris, Bibliotheque nationale de France
MS Francais 155, fol. 87
|From Bible historiale of Guiard des Moulins|
French (Paris), ca. 1415
New York, Morgan Library
MS M.034, fol. 159r
With the advent of the Renaissance the subject became less frequent, replaced by other episodes from the life of Elijah. However, it continued on well into the 20th century, often for the decoration of church ceilings and domes.
|Jobst Dorndorf, Elijah in the Fiery Chariot|
Pirna, Evangelical parish church of St. Marien
|Juan de Valdes Leal, Elijah in the Fiery Chariot|
Spanish, ca. 1658
Cordoba, Shod Carmelite monastery
|Anonymous, Elijah in the Fiery Chariot|
Lambach, Benedictine Abbey
|Marc Chagall, Elijah in the Fiery Chariot|
Nice, Chagall Museum
The image of the chariot ascending to heaven has an even longer history than these medieval images. For, they are based on an earlier prototype, the chariot of the sun god (the Greek Helios or the Roman Apollo). In pagan mythology the sun god drove a fiery chariot with fiery horses through the sky from east to west, accounting for the movement of the sun through the sky.
|Red figure kalyx-crater|
Greek (Attic), ca.430 BC
London, British Museum
Helios, Relief from temple of Athena at Troy
Hellenistic, 300-280 BC
Berlin, Pergamon Museum
Clearly the Christian artists had seen remnants of this imagery in originating their own image for Elijah.
© M. Duffy, 2012
1.It was not the direct Biblical image of the fiery chariot ride of Elijah that inspired the title of the 1981 Olympic film. It was the poem by William Blake, later set to music by Sir Hubert Parry, from which the title came. Blake’s poem, part of the preface to his long poem “Milton a Poem” of 1808-1810, is the actual source. However, the source of Blake’s line “Bring me my chariot of fire” is a reference to the story of Elijah. Below is a clip of the ending of the film "Chariots of Fire" in which, at the memorial service for Harold Abrahams in St. Paul's Cathedral, the choir sings the hymn "Jerusalem", which is the Parry setting for the Blake poem. The chariots reference comes from the second verse of the hymn, which says:
"Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!"
(Full text at http://www.poetry-archive.com/b/jerusalem.html#mDSOkrpJcbu4CqzW.99)
© M. Duffy 2012