![]() |
| Michelangelo, Elijah in the Fiery Chariot Italian, 1511 Vatican City, Vatican Museum, Sistine Chapel Ceiling |
No, this article is not about the 1981 film about the 1924 British Olympic team. It’s about the Biblical event from which the film derived its name – the taking up into Heaven of the prophet Elijah, which is the first reading for today’s Masses.1
“As they walked on conversing,
a flaming chariot and flaming horses came between them,
and Elijah went up to heaven in a whirlwind.
When Elisha saw it happen he cried out,
"My father! my father! Israel's chariots and drivers!"
But when he could no longer see him,
Elisha gripped his own garment and tore it in two.
Then he picked up Elijah's mantle that had fallen from him,
and went back and stood at the bank of the Jordan.”
(2 Kings 2:11-13)
Excerpt from the First Reading for June 20, 2012
The dramatic event of the taking up of Elijah in the fiery chariot has a long history in Western art.
While not necessarily the most popular of images associated with Elijah (other scenes from his life, such as the miracle he performed for the starving widow, received more frequent representation) it is, nonetheless, very frequent.
![]() |
| Giotto, Elijah in the Fiery Chariot Italian, 1304 Padua. Arena/Scrovegni Chapel |
![]() |
Nicholas of Verdun, Elijah in the Fiery Chariot
|
It was also a relatively common subject in the illustration of glossed vernacular Bibles, such as that by the 13th century canon, Guiard des Moulins, from Aire-sur-la-Lys in Picardy, whose work became one of the most frequently copied lay volumes in the later middle ages.
![]() |
| From a Bible historiale by Guiard des Moulins French (Paris), c. 1300 Paris, Bibliotheque nationale de France MS Francais 155, fol. 87 |
![]() |
From a Bible historiale of Guiard des Moulins
|
With the advent of the Renaissance the subject became less frequent, replaced by other episodes from the life of Elijah. However, it continued on well into the 20th century, often for the decoration of church ceilings and domes.
![]() |
Jobst Dorndorf, Elijah in the Fiery Chariot
|
![]() |
Juan de Valdes Leal, Elijah in the Fiery Chariot
|
![]() |
| Anonymous, Elijah in the Fiery Chariot Austrian, c. 1701-1715 Lambach, Benedictine Abbey |
![]() |
| Marc Chagall, Elijah in the Fiery Chariot Mosaic Russian, 1970 Nice, Chagall Museum |
The image of the chariot ascending to heaven has an even longer history than these medieval images. For, they are based on an earlier prototype, the chariot of the sun god (the Greek Helios or the Roman Apollo). In pagan mythology the sun god drove a fiery chariot with fiery horses through the sky from east to west, accounting for the movement of the sun through the sky.
![]() |
Red figure kalyx-crater
|
![]() |
Helios, Relief from temple of Athena at Troy
Hellenistic, c. 300-280 BC
Berlin, Pergamon Museum |
Clearly the Christian artists had seen remnants of this imagery in originating their own image for Elijah.
© M. Duffy, 2012
_______________________________________________
1.It was not the direct Biblical image of the fiery chariot ride of Elijah that inspired the title of the 1981 Olympic film. It was the poem by William Blake, later set to music by Sir Hubert Parry, from which the title came. Blake’s poem, part of the preface to his long poem “Milton a Poem” of 1808-1810, is the actual source. However, the source of Blake’s line “Bring me my chariot of fire” is a reference to the story of Elijah. Below is a clip of the ending of the film "Chariots of Fire" in which, at the memorial service for Harold Abrahams in St. Paul's Cathedral, the choir sings the hymn "Jerusalem", which is the Parry setting for the Blake poem. The chariots reference comes from the second verse of the hymn, which says:
"Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!"
(Full text at http://www.poetry-archive.com/b/jerusalem.html#mDSOkrpJcbu4CqzW.99)
© M. Duffy 2012













No comments:
Post a Comment